Teaching Experience
Adjunct Professor
1993 – Present
19th and 20th Century History of Photography at School of Visual Arts, 
Art History Dept., New York, NY
Adjunct Professor
2002 – 20012
19th and 20th Century History of Photography at NYU/ICP Master's Program, New York, NY
Adjunct Professor
2001
Critical Issues in Photography—1945 to Present at International Center of Photography, New York, NY
Adjunct Professor
1989 – 2002
Color Photography at International Center of Photography, New York, NY
Adjunct Professor
1990 – 1992
Color Printing, Color Theory, and Photo Critique at Moore college of Art and Design, Philadelphia, PA
Adjunct Professor
Spring 1988
Art Criticism at Russell Sage College, Troy, NY
Adjunct Professor
Summer 1988 – 1989;
Fall 1982 – Spring 1983
Ilfochrome Color Print Workshop at SUNY, Albany, NY
Adjunct Professor
1984 – 1985
MGSA Rutgers, New Brunswick, NJ
Professional Experience
Presenter
October 2000
2000 Barnard Feminist Art and Art History Conference, Barnard College, NY
Technical Advisor
1985
Photography, 3rd Ed.; Upton and Upton (“Ilfochrome” section)
Editor
1981-1983
SPE/Newsletter (The Society for Photography Education)
Solo Exhibitions
February 2000
Moore College of Art and Design, Philadelphia, PA, Feb. 2000
February 1996
The Center for Latin American Studies, University of Florida, Gainesville, FL
August-October 1995
Institute of the Arts, Federal University of Rio Grande do Sul, Porto Alegre, Brazil
March 1995
10th Symposium of African Art, NYU, NY
February 1991
Moore College of Art and Design, Philadelphia, PA
April 1990
M. Villa Gallery, New Orleans, LA
1983
HIA Gallery, Venice, CA
Group Exhibitions
Dec. 2013 – Mar. 2014
Stories in the Social Landscape, International Center of Photography, Faculty Show, New York, NY
Oct. – Dec. 2013
Come Together: Surviving Sandy, Industry City, Brooklyn, NY
Nov. 2013
Oral Tradition Symposium. The Brazilian Endowment for the Arts, BEA, New York, NY
Nov. – Dec. 2011
Between Light and Shadow: Aspects of Life and Brazilian Popular Art. The Brazilian Endowment for the Arts,-BEA, New York, NY, Nov.-Dec. 2011
Mar. 2008
Influences of African Beliefs on Latin American Contemporary Altars: An Exhibition of Altars and Ritual Offerings. Dr. M.T. Geoffrey Yeh Art Gallery, St. Johns University, Queens, NY
Jan. 2004
The Gallery/Suarez de Jesus, Little Havana, FL
Sep. 1996 – Jan. 1997
Spiritual Journey: Photography in Latin America, Brooklyn Museum, NY
1993
International Center of Photography, New York, NY
Works on Paper, Cavin-Morris Gallery, New York, NY
1991
The Diaspora, Cavin-Morris Gallery, New York, NY
1991
Bielefeld Gallery, Bielefeld, German
Summer 1991
The African Diaspora, Buenos Aires, Argentina
1990
Sanctified Spaces, Cavin-Morris Gallery, New York, NY
1989
University Gallery, Recife, Brazil
1988
USIS Gallery, Brasilia, Brazil
1985
Flower Show, Detroit Inst. of Arts
1985
Neigrug Gallery, New York, NY
Publications
2014
Come Together: Surviving Sandy Year 1, ed. Jack Flam, The Brooklyn Rail, Brooklyn, NY
Nov. – Dec. 2011
Between Light and Shadow: Aspects of Life and Brazilian Popular Art. The Brazilian Endowment for the Arts,-BEA, New York, NY
2005
Encyclopedia of 20th Century Photography, “Survey of the 19th Century Photography,” Fitzroy-Dearborn/Routledge Publishers
2004
The Encyclopedia of the African and American Experience. (Henry Louis Gates, Jr. and Kwame Anthony Appiah, eds.) Oxford University Press
Oct. 28, 2000
"The Virgin and the Whore at the Crossroads of Resistance in Afro-Brazilian Religion." Barnard Feminist Art and Art History Conference, Barnard College, NYC
1999 – 2000
El Puento Latino, online cultural website, Photography/Art Reviewer
1998
Microsoft African Encarta 2000, Microsoft Corporation, Redmond, WA
1994
Umbanda: Religions and Politics in Urban Brazil. Diana Brown, Columbia University Press (Cover)
1993
Faces of the Gods: Art and Altars of Africa and the African Americas. Robert Farris Thompson, The Museum of African Art
March/April 1990
“A Historical Williamsburg,” Artscribe, March/April issue 1990, Photo Criticism.
Dec. 1984
Popular Photography—Winners of Cibachrome Grant contest
Awards, Grants, and Acquisitions
2004, 1999
Afropaedia-Africana, Acquisition
1998
Microsoft Encarta (online), Acquisition
1995
Brooklyn Museum Archives, NY, Acquisition
1984
Getty Museum, Sam Wagstaff Collection
Commercial Experience
Exhibition Ilfochrome Printing (Owner/Operator: Color Lab and Camera Studio), New York, NY
Exhibitions: New Traditions, NY State Museum; Living Maya, Payne Webber Gallery, 1987
Education
MFA Photography
California Institute of the Arts, Valencia, CA
BA English
University of Wisconsin, Madison,WI