CV

 

Teaching Experience

  •       School of Visual Arts, Art History Dept., New York, NY -Adj. Prof. - 1993-Present: 19th and 20th Century History of Photography

  •       NYU/ICP Master's Program, New York, NY -Adj. Prof. - 2002-2012. Graduate course: 19th/20th Century History of Photography

  •       International Center of Photography, New York, NY -Adj. Prof. - 2001: Critical Issues in Photography--1945 to Present.

  •       International Center of Photography, New York, NY -Adj. Prof.-1989-2002: Color Photography

  •       Moore College of Art and Design, Philadelphia, PA -Adj. Prof. -1990-1992: Color Printing, Color Theory, Photo critique

  •       Russell Sage College, Troy, NY -Adj. Prof. -Spring 1988: Art Criticism

  •       SUNY, Albany, NY -Adj. Prof. -Summer semesters -1988-1989; Fall 1982-Spring 1983: Ilfochrome Color Print Workshop

  •       MGSA Rutgers, New Brunswick, NJ -Adj. Prof. -1984-1985

 

Education

  •       MFA Photography — California Institute of the Arts, Valencia, CA

  •       BA English — University of Wisconsin, Madison,WI

 

Professional Experience

  •       Presenter—2000 Barnard Feminist Art and Art History Conference, Barnard College, NY, Oct 2000

  •       Technical Advisor—Photography, 3rd Ed.; Upton and Upton (“Ilfochrome” section), 1985

  •       Editor of the SPE/Newsletter (The Society for Photography Education), 1981-1983

 

Publications

  •       Come Together: Surviving Sandy Year 1, ed. Jack Flam, The Brooklyn Rail, Brooklyn, NY, 2014

  •       Between Light and Shadow: Aspects of Life and Brazilian Popular Art. The Brazilian Endowment for the Arts,-BEA, New York, NY, Nov.-Dec. 2011

  •       Encyclopedia of 20th Century Photography, “Survey of the 19th Century Photography,” Fitzroy-Dearborn/Routledge Publishers, 2005

  •       The Encyclopedia of the African and American Experience. (Henry Louis Gates, Jr. and Kwame Anthony Appiah, eds.) Oxford University Press, 2004

  •       "The Virgin and the Whore at the Crossroads of Resistance in Afro-Brazilian Religion." Barnard Feminist Art and Art History Conference, Oct. 28,                   2000,  Barnard College, NYC

  •       ElpuentoLatino, online cultural website, 1999-2000, Photography/Art reviewer

  •       Microsoft African Encarta. 2000 (1998) Microsoft Corporation, Redmond, WA

  •       Microsoft African Encarta, online encyclopedia, 1998Microsoft African Encarta 

  •       Umbanda: Religions and Politics in Urban Brazil. Diana Brown, Columbia University Press, 1994 (Cover).

  •       Faces of the Gods: Art and Altars of Africa and the African Americas. Robert Farris Thompson, The Museum of African Art, 1993

  •       “A Historical Williamsburg,” Artscribe, March/April issue 1990, Photo Criticism.

  •      Popular Photography, Dec. 1984—Winners of Cibachrome Grant contest

 

Awards, Grants, Acquisitions

  •       Afropaedia-Africana, Acquisition, 2004, 1999

  •       Microsoft Encarta (online), Acquisition, 1998

  •       Brooklyn Museum Archives, NY, Acquisition, 1995

  •       Getty Museum, Sam Wagstaff Collection, 1984

 

Exhibitions: One Person

  •      Moore College of Art and Design, Philadelphia, PA, Feb. 2000     

  •      The Center for Latin American Studies, University of Florida, Gainesville, FL, Feb. 1996     

  •      Institute of the Arts, Federal University of Rio Grande do Sul, Porto Alegre, Brazil, Aug.-Oct. 1995     

  •      10th Symposium of African Art, NYU, NY, Mar. 1995

  •        Moore College of Art and Design, Philadelphia, PA, Feb. 1991     

  •        M. Villa Gallery, New Orleans, LA, Apr. 1990      

  •        HIA Gallery, Venice, CA, 1983

 

Exhibitions: Group/Two Person

  •       Stories in the Social Landscape, International Center of Photography, Faculty Show, New York, NY, Dec. 2013-Mar. 2014

  •       Come Together: Surviving Sandy, Industry City, Brooklyn, NY,  Oct.-Dec. 2013

  •       Oral Tradition Symposium. The Brazilian Endowment for the Arts, BEA, New York, NY, Nov. 2013

  •       Between Light and Shadow: Aspects of Life and Brazilian Popular Art. The Brazilian Endowment for the Arts,-BEA, New York, NY, Nov.-Dec. 2011

  •       Influences of African Beliefs on Latin American Contemporary Altars: An Exhibition of Altars and Ritual Offerings. Dr. M.T. Geoffrey Yeh Art Gallery,

                  St. Johns University, Queens, NY, Mar. 2008

  •       The Gallery/Suarez de Jesus, Little Havana, FL, Jan. 2004

  •       Spiritual Journey: Photography in Latin America, Brooklyn Museum, NY, Sep. 1996-Jan. 1997

  •       International Center of Photography, New York, NY, 1993

  •       Works on Paper, Cavin-Morris Gallery, New York, NY, 1993

  •       The Diaspora, Cavin-Morris Gallery, New York, NY, 1991

  •       Bielefeld Gallery, Bielefeld, German, 1991

  •       The African Diaspora, Buenos Aires, Argentina, Summer 1991

  •       Sanctified Spaces, Cavin-Morris Gallery, New York, NY, 1990

  •       University Gallery, Recife, Brazil, 1989

  •       USIS Gallery, Brasilia, Brazil, 1988

  •       Flower Show, Detroit Inst. of Arts, 1985

  •       Neigrug Gallery, New York, NY, 1985

 

Commercial Experience

  •       Exhibition Ilfochrome Printing (Owner/Operator: Color Lab and Camera Studio), New York, NY

  •       Exhibitions: New Traditions, NY State Museum; Living Maya, Payne Webber Gallery, 1987

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PETER KLOEHN - All rights reserved.